As many of you know I have been working with the talented people at Wonderful Machine since last summer. In an effort to help them help me, I printed a duplicate version of my portfolio and sent off to them to keep on file. Recenlty, Jess, Craig and Kayleen hit the road with an arsenal of books, including mine. Tierney in Philadelphia is where they took my portfolio. You can read about it on their blog. They also put together the video below to show my portfolio. If you haven't seen my print portfolio, this is a good opportunity to check it out. Of course, nothing is a substitute for actually holding the prints yourself, but at least you can see how it's sequenced and what I have chosen to include in it. This portfolio changes regularly so I imagine within the next month or two there will be some new images included and some of these will be gone. That's what is great about portfolios . . . they're never finished.
I read this great interview with photographer Kurt Markus on A Photo Editor recently and wanted to repost this section on PlayingWork. You can read the full interview here. That’s the revolution, because I’ve always thought of photography as an object. It’s not electronic information, it’s an object. I don’t believe in a photograph until I make a print. It doesn’t exist for me. It’s just like thin air. So from that perspective it looks to me like people are afraid. They’re afraid to commit to putting their name on an object and claiming it. They’re dodging the biggest bullet of all which is standing up for your work.
It takes guts to make a print. You know you have to convince yourself that this is you, that you’ve made this and that you’re putting your name on it, and you also have to believe that maybe somebody else either can appreciate the work you’ve done or can appreciate the fact that this is you. There’s nothing else to hide behind.